Detail of an Edo-period paper dye stencil with boats and shore pines

Heritage & Craft · Shinjuku

Edo Sarasa Dyeing Workshop in Shinjuku, Tokyo

Stencil-dye Edo Sarasa with Some no Sato Ochiai, a family dye house founded in 1920 in Tokyo’s old dyeing town.

View the patterns (7)

Overview

Dye Edo Sarasa in Tokyo’s old dyeing town

Where the Kanda and Myoshoji rivers meet in Shinjuku, dyers have worked for a century, drawn by clean water. Some no Sato Ochiai, founded in 1920 as Futaba-en, is one of the few dye houses in Tokyo still cutting and dyeing Edo Komon and Edo Sarasa by hand, and it opens its workshop to our guests.

Stencil-dye a table centrepiece or a tote, or dye a silk scarf with the studio’s dyers. Your interpreter stays with you throughout, so you can ask anything.


Dye a piece of your own and take it home

Only your group with the dyers

Guide and interpreter with you throughout
Make a day of it: Shinjuku After Dark
A seventeenth-century book of stencil-dye pattern samples (katazome mihoncho)


History

A century of dyeing by the river

1600s

Patterns for the samurai

Edo Komon began as the formal dress of samurai: tiny dots and lines, cut into paper stencils so fine that from a few steps away the cloth looks plain. Each domain had its own pattern.

1600s–1800s

Sarasa reaches Edo

Brightly printed cottons from India, called sarasa, arrived through foreign trade and became prized luxuries. Edo dyers recreated them with dozens of stencils, one for each colour, and Edo Sarasa was born.

1700s–1800s

The dyers of Kanda

In Edo the dye houses clustered along the Kanda River near the city centre, where a neighbourhood called Kon’ya-cho, “dyers’ town”, still carries the name.

1910s–1930s

Upstream to Ochiai

As the city grew, dyers moved upstream to Ochiai, where the Kanda and Myoshoji rivers “fall together” and the water ran clean. At its peak the area had more than three hundred dye workshops.

1960s–today

Keeping the craft alive

Dyers rinsed new cloth in the Myoshoji River into the 1960s. Kimono demand has since fallen and only a dozen or so workshops remain, but each February the neighbourhood hangs dyed fabric over the river for its Some no Komichi festival.

A carved paper dye stencil with pines and a scene from the play Matsukaze


Itinerary

Choose an experience to see how it unfolds

Each experience runs differently. Open one to see each step, then book it below.

A carved paper dye stencil with a continuous sayagata fret pattern

2 hours

Edo Sarasa table centrepiece

Stencil-dye a table centrepiece in Edo Sarasa, one layer at a time.

Saturday afternoons and Sunday mornings
A carved paper dye stencil with a landscape of a hut and pines

About 3 hours

Stencil-dyed tote

Dye an Edo pattern onto a tote, or bring an item of your own.

Set dates through the year
An Edo-period robe dyed with a fine all-over komon pattern

3 hours

Edo Sarasa silk scarf

Dye a silk scarf or obi-age in Edo Sarasa: the richest of the studio’s workshops.

Selected Wednesday afternoons


The Studio

The story of Some no Sato Ochiai

A century in Ochiai

Founded in 1920 as Futaba-en, the studio is one of the few in Tokyo still cutting and dyeing Edo Komon and Edo Sarasa by hand, from the stencils to the final rinse.

The art of Edo Sarasa

Edo Sarasa builds rich, many-coloured patterns from dozens of hand-cut stencils laid one after another, each adding a single colour.

Edo Komon

The studio also dyes Edo Komon, the tiny all-over patterns once worn by samurai, cut so fine that the cloth looks plain from a few steps away.

The studio today

Alongside kimono for customers across Japan, the studio opens its workshop for classes, so visitors can try the craft with the people who practise it.

A carved paper dye stencil with a landscape of a hut and pines
A long-sleeved silk kimono with hand-dyed hydrangeas and cherry blossoms

Your hosts

The dyers of Some no Sato Ochiai

Working artisans, not demonstrators

The studio is a working dye house that makes kimono and accessories for customers across Japan. You learn from the people who do this every day.

Your interpreter stays beside you, so you can ask about technique, patterns and the history of the trade.


Edo Sarasa and Edo Komon since 1920

Stencils cut and dyed by hand

5 minutes from Nakai Station, Shinjuku

Included


Private guide and interpreter

A welcome and introduction to the craft

All materials, and the piece you dye

Group size

Private for your group. Table centrepiece and tote from two guests; silk scarf from one guest.

Before you go

Wear clothes you don’t mind getting a little dye on. Silk scarf sessions run on set Wednesdays, so book at least two weeks ahead.



Booking

Choose your date

Choose your experience, the number of guests and your preferred date and time, then send us a request. Nothing is charged now: we confirm with the studio within two days, then send you a secure link to pay.


Where we meet

Ochiai, Tokyo’s dyeing town

The studio sits in the quiet residential streets of Kami-Ochiai in Shinjuku Ward, a world away from the neon of east Shinjuku.


5 minutes on foot from Nakai Station

Seibu Shinjuku Line and Toei Oedo Line · 10 minutes from Ochiai Station

Your guide meets you at the station exit

Prefer us to meet you at your accommodation? Let us know and we will take you door to door.



Questions

Good to know before you book

Do I need any experience?

No. The dyers prepare the stencils and colours and guide you at every step, so first-timers leave with a piece they are proud of.

Is it suitable for children?

Yes, for children who can work carefully for two hours. The tote and table centrepiece are the best choices for families. Tell us their ages when you book.

What should I wear?

Clothes you don’t mind getting a little dye on. The sessions are indoors, so the weather doesn’t matter.

Do I keep what I dye?

Yes, it is yours to take home. If a piece needs extra time to set after the session, we arrange to get it to you.

Does the studio speak English?

Your private guide interprets everything, so you can ask the dyers anything you like.

Can you meet us at our hotel?

Your guide normally meets you at the nearest station. If you would rather be collected from your accommodation, tell us when you book and we will take you door to door.



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All experiences

Edo Sarasa Dyeing

Shinjuku, Tokyo

2 to 3 hours

Private, 1 to 6 guests

From $149 / person
From $149 / person
Check availability

Edo Sarasa · Some no Sato Ochiai

Stencil-dyed tote

About 3 hours

From 2 guests

Dye an Edo pattern onto a tote with the studio’s stencils, or bring an item of your own to dye. Runs on the studio’s set dates.

A carved paper dye stencil with a landscape of a hut and pines

Step 1

15 min

Welcome to the studio

Meet the dyers and see how stencil dyeing works, from the paper stencil to the paste and dye.

Step 2

20 min

Choose your design

Pick a stencil pattern and colours for your tote, or plan the design for the item you brought.

Step 3

2 hours

Dyeing your tote

Lay the stencil, apply the paste and brush on the dye, with the dyers guiding every step.

Step 4

15 min

Finishing and care

Learn how your piece is set and finished, and how to wash and care for it.

Edo Sarasa · Some no Sato Ochiai

Edo Sarasa silk scarf

3 hours

From 1 guest

Dye a silk scarf or obi-age in Edo Sarasa with the studio’s dyers: the richest of their workshops.

An Edo-period robe dyed with a fine all-over komon pattern

Step 1

20 min

Welcome to the studio

Meet the dyers and see Edo Sarasa and Edo Komon being made in a working dye house.

Step 2

20 min

Design your scarf

Choose your stencils and plan the colours for your silk.

Step 3

2 hours

Dyeing the silk

Build up your Edo Sarasa pattern on silk, stencil by stencil and colour by colour, with a dyer beside you.

Step 4

20 min

Finishing and care

See how silk is set and finished, and how to care for your scarf.

Edo Sarasa · Some no Sato Ochiai

Edo Sarasa table centrepiece

2 hours

From 2 guests

Lay colour through hand-cut stencils, one layer at a time, to make an Edo Sarasa table centrepiece of your own.

A carved paper dye stencil with a continuous sayagata fret pattern

Step 1

15 min

Welcome to the studio

Meet the dyers, see the workshop and learn how Edo Sarasa patterns are cut and dyed.

Step 2

15 min

Choose your pattern

Pick from the studio’s hand-cut stencils and choose your colours.

Step 3

75 min

Dyeing your piece

With a dyer beside you, lay each stencil and brush on the colour, building the pattern layer by layer.

Step 4

15 min

Finishing and care

The dyers show you how your piece is set and finished, and how to care for it.